“Most Ardently: A Pride and Prejudice Remix” (Remixed Classics) by Gabe Cole Novoa (ARC Review)

Novoa, Gabe Cole. Most Ardently: A Pride & Prejudice Remix. New York: Feiwel & Friends, 2024. 

ISBN-13: 978-1250869807 | $19.99 USD | 320 pages | Regency Romance

Blurb

In the Remixed Classics series, authors from marginalized backgrounds reinterpret classic works through their own cultural lens to subvert the overwhelming cishet, white, and male canon. This bittersweet Pride & Prejudice remix follows a trans boy yearning for the freedom to live openly, centering queerness in a well-known story of longing and subverting society’s patriarchal and cisheteronormative expectations.

London, 1812. Oliver Bennet feels trapped. Not just by the endless corsets, petticoats and skirts he’s forced to wear on a daily basis, but also by society’s expectations. The world—and the vast majority of his family and friends—think Oliver is a girl named Elizabeth. He is therefore expected to mingle at balls wearing a pretty dress, entertain suitors regardless of his interest in them, and ultimately become someone’s wife.

But Oliver can’t bear the thought of such a fate. He finds solace in the few times he can sneak out of his family’s home and explore the city rightfully dressed as a young gentleman. It’s during one such excursion when Oliver becomes acquainted with Darcy, a sulky young man who had been rude to “Elizabeth” at a recent social function. But in the comfort of being out of the public eye, Oliver comes to find that Darcy is actually a sweet, intelligent boy with a warm heart. And not to mention incredibly attractive.

As Oliver is able to spend more time as his true self, often with Darcy, part of him dares begin to hope that his dream of love and life as a man could be possible. But suitors are growing bolder—and even threatening—and his mother is growing more desperate to see him settled into an engagement. Oliver will have to choose: Settle for safety, security, and a life of pretending to be something he’s not, or risk it all for a slim chance at freedom, love, and a life that can be truly, honestly his own.

Review

4 stars

I received an ARC from the publisher via NetGalley and am voluntarily posting a review. All opinions are my own. 

At long last, Remixed Classics takes on Jane Austen, with Gabe Cole Novoa’s compassionate trans-inclusive remix, Most Ardently. While the series can be hit-or-miss when it comes to authors who don’t have a background in writing historicals, Novoa was actually a great choice here, with a clear understanding of the nuances of the Regency era, and especially its queer culture, and combining that with a subversive reimagining of arguably one of the most retold works of fiction. 

Elizabeth Bennet being reimagined as  Oliver is beautiful, and I loved the care with which this was rendered. From the start, with the note that some people in the story will misgender and deadname him, but he’s consistently referred to by his prefered name and pronouns by the text itself was a solid compromise, highlighting the transphobia of the era, while showing that trans people have always existed, and affirmation for them back then wouldn’t have looked too different from what it looks like today. And while I’m pretty well-read on the nuances of the era, even I didn’t know that birth certificates did not exist in the Regency (although that does check out, given how poorly records were kept of births of common people in times past), thus presenting the possibility that, with the support of a compassionate physician to vouch for them and family supporting them, trans people could indeed “pass,” perhaps many more than we’re even aware of. 

Oliver’s identity also adds some interesting nuances to his relationship with Darcy. While Darcy is still very socially awkward in his initial encounters with Oliver when he’s presenting as “Elizabeth” in public, I love the addition of scenes between them in a Molly house, highlighting how both of them act with their guards down. And while I feel like it was a missed opportunity to not have Darcy have some sort of inkling as to Oliver’s secret, given he does still ask “Elizabeth” to marry him, there’s still a plausible reasoning given, albeit one tinged with irony. 

The supporting cast is also beautifully reimagined as well. Jane being a supportive ally is only to be expected, given the two eldest Bennet siblings are thick as thieves in just about  every incarnation, although I did feel her relationship with Bingley got sidelined for the sake of time, with Bingley not even really appearing after his untimely disappearance…which sucks, since early scenes really built up the possibility of a friendship between him and Oliver, while exploring the tension between Oliver and Darcy. On a similar note, the younger Bennet sisters are basically nonexistent in this book…Mary and Kitty were already pretty irrelevant, but with the ending changed, Lydia is also similarly boring. But thank God no one marries that awful Wickham…it’s just a shame Charlotte’s still tied to Collins. 

However, I did like how Mr. and Mrs. Bennet were written. Mr. Bennet, being disposed to favor  his second-eldest child to begin with, has a lovely relationship with Oliver, and I really appreciated his compassion when Oliver came out to him, especially in wanting to take his time to tell his mother. While Oliver’s transness is kept secret from Mrs. Bennet for most of the book, and I feared the worst due to her marriage-minded nature, she surprised me by proving to be incredibly open-minded and accepting, with her affirmation being particularly heartrending. 

This is a beautiful reimagining, balancing a largely beat-for-beat rendering of Pride and Prejudice with the story of a trans boy’s coming-out and coming into his own in the face of immense societal prejudice and obstacles. If you’re a fan of the original, but are interested in a version that is more explicitly queer, I’d recommend checking this out! 

Author Bio

Gabe Cole Novoa (he/him) is a Latinx transmasculine author who writes speculative fiction featuring marginalized characters grappling with identity. Now leveled up with an MFA in Writing for Children, when he isn’t being nerdy at his day job, or buried under his TBR pile, you’ll likely find him making heart-eyes at the latest snazzy outfit he wants to add to his wardrobe. Gabe is the author of The Wicked Bargain and the Beyond the Red trilogy, written under a former pseudonym. He also runs a popular writing-focused YouTube channel, bookishpixie and is very active on Twitter.

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“The Scandalous Confessions of Lydia Bennet, Witch” by Melinda Taub (Review)

Taub, Melinda. The Scandalous Confessions of Lydia Bennet, Witch. New York: Grand Central Publishing, 2023. 

ISBN-13: 978-1538739204 | $30.00 USD | 400 pages | Historical Fantasy

Blurb

A “witty, magical, romantic and altogether brilliant” (Lev Grossman) reimagining of Pride and Prejudice, told from the perspective of the troublesome and—according to her—much-maligned youngest Bennet sister, Lydia.

In this exuberant retelling of Jane Austen’s Pride and Prejudice, Lydia Bennet puts pen to paper to relate the real events and aftermath of the classic story. Some facts are well known: Mrs. Bennet suffers from her nerves, Mr. Bennet suffers from Mrs. Bennet, and all five daughters suffer from an estate that is entailed only to male heirs.

But Lydia also suffers from entirely different concerns: her best-loved sister Kitty is really a barn cat; Wickham is every bit as wicked as the world believes him to be, but what else would one expect from a demon? And if Mr. Darcy is uptight about etiquette, that’s nothing compared to his feelings about magic. Most of all, Lydia has yet to learn that for a witch, promises have power . . .

Full of enchantment, intrigue, and boundless magic, The Scandalous Confessions of Lydia Bennet, Witch, has all the irreverent wit, strength, and romance of Pride and Prejudice—while offering a highly unexpected redemption for the wildest Bennet sister.

Review

4 stars

I’ve been a bit of a Lydia Bennet apologist for years, since watching the incredible modern portrayal by Mary Kate Wiles in The Lizzie Bennet Diaries. I mean, yes, she’s a bit dim, but that doesn’t mean she deserves to be stuck with Wickham for the rest of her life, right? Melinda Taub clearly had the same idea when she chose to write The Scandalous Confessions of Lydia Bennet, Witch, reimagining Lydia in a way that both fits realistically within the canon of the original Austen novel, while also injecting her own spin on the story through region-appropriate depictions of folklore and magic, and a surprising (for this particular story and characters, anyway) amount of social awareness regarding racism and colonialism. 

Lydia as a character is such a delight. She’s an oddball, but in the best way, and her being a witch perfectly fits into that. While there are some tweaks to the Bennet family dynamics to play into the lore of magic correlating to her quirky nature, such as her now being the seventh daughter of a seventh daughter (although some of her elder siblings died), I liked how there was a lot of depth to her, and you really see a new side to her and the events of P&P, especially her elopement with Wickham, thanks to the context of the presence of magic. And while she’s often considered the “dumb” or “flighty” one, I love how this story subverts the themes of the original, with Lydia being more perceptive of people and their intentions, making her an interesting foil for the stereotypically intelligent Elizabeth, for example, who we know was easily taken in by false “first impressions.” 

I also love that Kitty is  actually a cat, cementing my belief that Taub either is a fellow fan of LBD or it’s a massive coincidence (I mean, she’s also a TV writer, who worked with Shonda Rhimes, so who knows). Lydia and Kitty’s relationship is one of my favorites from the book, and I love Kitty’s human-ness evolves over the course of the story. 

The story structure is rather odd, being told in a somewhat diaristic/epistolary format, with Lydia alternating being recounting her past, i.e. the story of the events of P&P from her point of view, and the present when she’s “married” to Wickham. At first, I was a little taken aback, afraid it would be hard to follow. But Lydia’s narrative voice is compelling, and it becomes rather obvious when she’s talking about the past, vs. the present. The choice to tell the story this way does mean the story starts off rather slowly, but it really ramps up in the second half, and that, plus Lydia’s humorous narration throughout, make the story work. 

This is a fun read, reimagining a much-maligned character in a beautiful way. If you’re a fan of Jane Austen/Pride and Prejudice, witches, and/or stories that redeem “unlikable” characters from the literary canon, I’d recommend checking this out! 

Author Bio

Melinda Taub is an Emmy- and Writers’ Guild Award-winning writer. The former head writer and executive producer of Full Frontal with Samantha Bee, she is also the author of Still Star-Crossed, a young adult novel which was adapted for television by Shondaland. (She also wrote that thing about the Baroness in The Sound of Music that your aunt likes.) She lives in Brooklyn.

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“Just As You Are” by Camille Kellogg (ARC Review)

Kellogg, Camille. Just As You Are. New York: The Dial Press, 2023. 

ISBN-13: 978-0593594704 | $17.00 USD | 320 pages | Contemporary Romance

Blurb

Equal parts witty and steamy, this debut rom-com brings a healthy dose of queerness and a whole lot of spirit to a Pride and Prejudice-inspired enemies-to-lovers romance.

“Brims with heart, spice, and humor.”—Ashley Herring Blake, author of Delilah Green Doesn’t Care
The L Word, but better.”—TJ Alexander, author of Chef’s Kiss
“A juicy sapphic romp; sweet, sexy, and tender in all the right ways.”—Gabrielle Korn, author of Everybody (Else) Is Perfect

The only thing worse than hating your boss? Being attracted to her.

Liz Baker and her three roommates work at the Nether Fields, a queer magazine in New York that’s on the verge of shutting down—until it’s bought at the last minute by two wealthy lesbians. Liz knows she’s lucky to still have a paycheck but it’s hard to feel grateful with minority investor Daria Fitzgerald slashing budgets, cancelling bagel Fridays, and password protecting the color printer to prevent “frivolous use.” When Liz overhears Daria scoffing at her listicles, she knows that it’s only a matter of time before her impulsive mouth gets herself fired.

But as Liz and Daria wind up having to spend more and more time together, Liz starts to see a softer side to Daria—she’s funny, thoughtful, and likes the way Liz’s gender presentation varies between butch and femme. Despite the evidence that Liz can’t trust her, it’s hard to keep hating Daria—and even harder to resist the chemistry between them.

This page-turning, sexy, and delightfully funny rom-com celebrates queer culture, chosen family, and falling in love against your better judgment.

Review

5 stars

I received an ARC from the publisher via NetGalley and am voluntarily posting a review. All opinions are my own. 

Just As You Are is a beautiful queer take on Pride and Prejudice, taking the basic romantic arc, and transforming the family aspects into a queer-affirming found-family story. While largely faithful to the broad plot beats of P&P, and with some other fun modern references, I love how it also had a lot of its own to say about queerness, especially in terms of identity. The main cast is almost entirely queer women and enby people, and I love the general message that you don’t have to have your identity and presentation entirely figured out, with both Liz and Daria exploring this concept of gender presentation directly in the narrative. 

If you’re familiar at all with any iteration of the story, you’ll know what to expect with the general arc of Liz and Daria’s characters, and their romance, but I like how Kellogg made them her own. I love how Liz’s judgmental and impulsive nature comes through, and how it’s stressed throughout (including by Jane) as something that she has to work on. Daria definitely leans more toward being misunderstood , as while she comes off as prickly and asshole-ish at first, it comes from an understandable place, and ultimately I felt Liz was the one who had more growing to do. While OG-Datcy definitely has a lot more privilege to unlearn, Daria’s queer experience has made things more complicated with much of her family, with the exception of her aunt Katherine. 

The plotline with Weston (this book’s version of Wickham) was interesting, and I like how a streamlined cast made the connection between Daria and Weston’s history, and Daria’s current skepticism of Bailey’s budding romance with Jane, much more prominent. A change in Weston’s corrupt behavior emphasizes the evolution away from demonizing sexuality in modern society. I have somewhat mixed feelings about the choices regarding Lydia’s fate, but it does fit more with how the character ended up in the original novel, as opposed to some of the other modern retellings. 

This is a fabulous read, and I’d recommend it to anyone looking for a fun, inclusive queer romance. 

Author Bio

Camille Kellogg is the author of the upcoming rom-com Just As You Are (Dial, 2023). She works as an editor at Bloomsbury Children’s Books, where she acquires middle grade and young adult books. She lives in New York City and is passionate about queer stories, good books, and bad puns.

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“Pride and Protest” by Nikki Payne (Review)

Payne, Nikki. Pride and Protest. New York: Berkley Romance, 2022. 

ISBN-13: 978-0593440940 | $17.00 USD | 401 pages | Contemporary Romance

Blurb

A woman goes head-to-head with the CEO of a corporation threatening to destroy her neighborhood in this fresh and modern retelling of Pride and Prejudice by debut author Nikki Payne.
 
Liza B.—the only DJ who gives a jam—wants to take her neighborhood back from the soulless property developer dropping unaffordable condos on every street corner in DC. But her planned protest at a corporate event takes a turn after she mistakes the smoldering-hot CEO for the waitstaff. When they go toe-to-toe, the sparks fly—but her impossible-to-ignore family thwarts her every move. Liza wants Dorsey Fitzgerald out of her hood, but she’ll settle for getting him out of her head.
 
At first, Dorsey writes off Liza Bennett as more interested in performing outrage than acting on it. As the adopted Filipino son of a wealthy white family, he’s always felt a bit out of place and knows a fraud when he sees one. But when Liza’s protest results in a viral meme, their lives are turned upside down, and Dorsey comes to realize this irresistible revolutionary is the most real woman he’s ever met.

Review

4 stars

Pride and Protest is a memorable retelling of Pride and Prejudice, transporting the action to modern-day Washington, DC. It’s generally a beat-for-beat retelling, with great twists on characters and certain plot elements that allow Nikki Payne to make the story her own and simultaneously speak on the social issues of today. 

Liza is a great protagonist, and I love that she’s both a DJ and an activist for social change. It plays into the forward-thinking nature of Elizabeth Bennet in a clever way. And like her original-text counterpart, she’s well-meaning, while also being flawed, and that’s expressed in such a wonderful way throughout the story. 

I’m not going to lie, when I initially heard the pitch for this book without context, I was skeptical, a Black activist being paired with the CEO of a company who plans to destroy her neighborhood presents a massive red flag. But Dorsey is much more layered than I initially thought, and what made me give this book a chance was the mention of him being Filipino, adopted by white parents. I love how his backstory and him wanting to do right for both his biological and adoptive mother drive him. And even though he has the position of CEO, he has a lot less actual power than it initially appears, and I love the way the text explores him feeling out of place within his environment and how others try to belittle him. He does still have some growing and reevaluating to do, but just as in the original, the growth happens in tandem with Liza’s, as well as their budding romance. 

I really liked that the focus on Liza and Dorsey’s respective families, and their relationships with them feels believable for the modern setting, while the tone feels reminiscent of their dynamics in the novel. Gigi, Dorsey’s sister, who is also adopted, is particularly memorable, to the point where I was disappointed she wasn’t getting a book of her own. Janae has a lot more layers than many incarnations of Jane, having gone through the traumatic loss of a child, and is emotionally closed-off as a result. Ledeya is a ball of chaos who ultimately comes of age through a learning experience of  being used, a much kinder fate for her than the original provided. 

I felt the choice to include Maurice as a character felt a bit superfluous, as he had almost no impact on major plot events (to be fair, neither does Mary in the original), but that is the only real gripe I had with the family dynamics. 

I really enjoyed this book, and would recommend it to anyone looking for multicultural contemporary romances and/or who enjoys Jane Austen retellings. 

Author Bio

By day, Nikki Payne is a curious tech anthropologist asking the right questions to deliver better digital services.  By night, she dreams of ways to subvert canon literature. She’s  a member of Smut U, a premium feminist writing collective, and is a cat lady with no cats.

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“Accomplished: A Georgie Darcy Novel” by Amanda Quain (ARC Review)

Quain, Amanda. Accomplished: A Georgie Darcy Novel. New York: Wednesday Books, 2022.

ISBN-13: 978-1250817815 | $18.99 USD | 320 pages | YA Contemporary 

Blurb

Georgiana Darcy gets the Pride & Prejudice retelling she deserves in Amanda Quain’s Accomplished, a sparkling contemporary YA featuring a healthy dose of marching band romance, endless banter, and Charles Bingley as a ripped frat boy.

It is a truth universally acknowledged that Georgiana Darcy shouldhave been expelled after The Incident with Wickham Foster last year – at least if you ask any of her Pemberley Academy classmates. She may have escaped expulsion because of her family name, but she didn’t escape the disappointment of her big brother Fitz, the scorn of the entire school, or, it turns out, Wickham’s influence.

But she’s back for her junior year, and she needs to prove to everyone – Fitz, Wickham, her former friends, and maybe even herself – that she’s more than just an embarrassment to the family name. How hard can it be to become the Perfect Darcy? All she has to do is:

– Rebuild her reputation with the marching band (even if it kills her)
– Forget about Wickham and his lies (no matter how tempting they still are), and
– Distract Fitz Darcy — helicopter-sibling extraordinaire — by getting him to fall in love with his classmate, Lizzie Bennet (this one might be difficult…)

Sure, it’s a complicated plan, but so is being a Darcy. With the help of her fellow bandmate, Avery, matchmaking ideas lifted straight from her favorite fanfics, and a whole lot of pancakes, Georgie is going to see every one of her plans through. But when the weight of being the Perfect Darcy comes crashing down, Georgie will have to find her own way before she loses everything permanently—including the one guy who sees her for who she really is.

Review 

4 stars 

I received an ARC from the publisher via NetGalley and am voluntarily posting a review. All opinions are my own. 

Georgiana Darcy has always been an underrated character in my opinion, given how little time she’s given to shine in her own right in the original. Subsequent reimaginings and sequels have done a good job giving her a bit more grit, but Accomplished allows her to take center stage, transplanting the action to a modern elite prep school. 

Amanda Quain depicts a modern Georgie as a flawed teenage girl, dealing with the aftermath of what she calls The Incident with Wickham. The darkness of P&P!Georgiana’s narrative is alluded to in the original, so it spins off from that, with Georgie reeling from being taken in (and steal being in the orbit of) Wickham and his drug dealing and control, and chafing at the large presence of her overprotective brother, Fitz and the judgment of her classmates. I really liked that she was allowed to be a bit messy and grapple with what she had gone through. She also imparts a lot of insight into what it’s like to be a “legacy” student in one of these prestigious schools, and how you have your family name to live up to (much like in the Regency era), so switching schools wasn’t an option, even if it meant she would save face. 

I really liked how her relationship with Fitz evolved over the course of the book. There’s a lot of tension between them at the start, but over the course of the book, Georgie comes to appreciate that Fitz wants what’s best for her and helps her put things into perspective. 

While the book does veer more toward the serious side (much more so than the marketing lets on), there are some cute elements too. It’s fun to see Georgie’s perspective of Darcy and Lizzie together and how she meddles to get them together. And while the book is largely about Georgie‘s journey toward healing on her own terms, she does also develop a romance with one of her classmates, Avery, who is the sweet antithesis of manipulative Wickham. 

I really enjoyed this book, and would recommend it to anyone who enjoys Austen retellings and reimaginings. 

Author Bio

AMANDA QUAIN is a writer, indie bookseller, and general life enthusiast. When she’s not shouting about her favorite new books, she loves theatre, baking, rock climbing, marching band, and the overall pursuit of adventure. If forced to choose, Amanda’s favorite Austen hero is Edward Ferrars, though she’ll always have a soft spot for Mr. Bingley. She lives in Pittsburgh, Pennsylvania with her husband and her cat. Accomplished is her first novel.

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“Debating Darcy” by Sayantani Dasgupta (Review)

Dasgupta, Sayantani. Debating Darcy. New York: Scholastic Press, 2022.

ISBN-13: 978-1338797695 | $18.99 USD | 303 pages | YA Contemporary Romance 

Blurb

This Pride & Prejudice retelling brings New York Times bestselling Sayantani DasGupta’s trademark wit and insight to her bright and funny YA debut!

It is a truth universally acknowledged that Leela Bose plays to win.

A life-long speech competitor, Leela loves nothing more than crushing the competition, all while wearing a smile. But when she meets the incorrigible Firoze Darcy, a debater from an elitist private school, Leela can’t stand him. Unfortunately, he’ll be competing in the state league, so their paths are set to collide.

But why attempt to tolerate Firoze when Leela can one-up him? The situation is more complicated than Leela anticipated, though, and her participation in the tournament reveals that she might have tragically misjudged the debaters — including Firoze Darcy — and more than just her own winning streak is at stake…her heart is, too.

Debating Darcy is bestselling author Sayantani DasGupta’s reinterpretation of beloved classic Pride and Prejudice — imaginative, hilarious, thought-provoking, and truly reflective of the complex, diverse world of American high school culture.

Review 

4 stars 

I’m always up for another Austen retelling or homage, especially those retelling them within the context of marginalized communities. And while P&P from a South Asian lens has been done before, Sayantani Dasgupta brings something special to the table with Debating Darcy. 

Given how heavily the original novel is about discourse and debate and divergent opinions (or are they?), Dasgupta’s choice to center her narrative around high school debate teams and the class/status culture among students in public vs. private schools is a wonderful way of replicating that in a way young readers today would understand. Both Leela and Darcy are incredibly opinionated, but come to a mutual understanding upon getting to know each other better and overcome their preconceived notions. Just as with Elizabeth Bennet, Leela’s opinion of Darcy grows as their acquaintance continues and she sees a different side to him, and Darcy improves through his exposure to a world outside the elite one he typically occupies. 

I also like how the book tackles various issues, like sexism and sexual harassment, classism, and racism and representation, both through incidents and debates among characters. One debate that particularly stands out is one about representation in media through characters previously established or portrayed as white, with Hamilton as an example. Leela is in favor of it, being happy to see people like her represented, while Darcy’s view is more critical, feeling stories like that are revisionist and BIPOC should have more opportunities to tell their own stories. Given that this is a diverse retelling of a white (at least by default) classic, I couldn’t help but see some irony there. But it also feels realistic to their worldviews, as Darcy is in a position due to his status in society to demand better, while Leela is not. 

While cultural elements definitely took a back seat to classism, they’re still present and color the characters and their dynamics, particularly where Darcy is concerned. He’s half desi, and it becomes increasingly clear that his aunt, Professor de Bourgh, has some traditional expectations for him (one of the major character relationship aspects that is carried over almost entirely intact from the original). 

Misogyny is a major issue throughout the book, in a way that pays homage to the themes of the book, while acknowledging the ways society has changed (or not) in the centuries since the classic novel was published. Sexual misconduct is still an issue where the victims bear the brunt of the consequences, and the way that’s confronted in regards to Jishnu (this book’s incarnation of Wickham) and his respective actions with both Gigi and Lidia are shocking to read. Ultimately, both women receive support from those around them and platforms with which to speak their truths, something which their Austen counterparts could only have dreamed of. 

Dasgupta does a good job of reflecting the major plot beats, as well as the major characters, in her retelling. First meeting where he insults her? Check. Some interactions that see their “relationship” and animosity develop? Check. The letter, in this case an email? Check. And so on. 

I really liked this one, and it’s a fun, engaging take on a classic for a modern audience. If you enjoy diverse Austen retellings, I recommend giving this one a try. 

Author Bio

Sayantani DasGupta is the New York Times bestselling author of the critically acclaimed, Bengali folktale and string theory-inspired Kiranmala and the Kingdom Beyond books, the first of which—The Serpent’s Secret—was a Bank Street Best Book of the Year, a Booklist Best Middle Grade Novel of the 21st Century, and an EB White Read Aloud Honor Book. She is also the author of She Persisted: Virginia Apgar, a part of Chelsea Clinton’s She Persisted series from Penguin/Philomel, and Force of Fire, an anticolonial and Bengali folktale inspired fantasy set in the Kingdom Beyond multiverse from Scholastic. Her YA debut, Debating Darcy, a multicultural speech and debate feminist reimagining of Pride and Prejudice, comes out in 2022, also from Scholastic. Sayantani is a pediatrician by training, but now teaches at Columbia University. When she’s not writing or reading, Sayantani spends time watching cooking shows with her trilingual children and protecting her black Labrador retriever Khushi from the many things that scare him, including plastic bags. She is a team member of We Need Diverse Books, and can be found online at sayantanidasgupta.com and on Twitter at @sayantani16.

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Review of “Unmarriageable” by Soniah Kamal

Kamal, Soniah. Unmarriageable. New York: Ballantine Books, 2019.

Hardcover | $27.00 USD | ISBN-13: 978-1524799717 | 342 pages | Contemporary/Multicultural/Austen Retelling

5 stars

Unmarriageable captures the perfect balance when it comes to an Austen retelling of conveying the underlying themes in a way that remains recognizable, but also providing something new that means it’s not only worth reading, but it also feels like the author truly got to play with it and make it their own. And the result is not only entertaining, but also incredibly educational and eye-opening.

Kamal goes into the parallels she saw between 19th century English society and modern Pakistani society in her author’s note, thus serving as the inspiration for this book. And it was fascinating to look at some of the double standards and contradictions of Pakistani society, especially concerning women’s education and the way marriage for women by a certain age was stressed much more than for men, and even more hauntingly, with recent news closer to home, the issues concerning sexual freedom and reproductive rights, and even how wealth and privilege gives people more options in that regard.

And even more so than these underlying themes, I love how Kamal translated the characters and their vibrant personalities into this retelling, and even further developed some of the character arcs. I loved the further development as Alys as a feminist in particular, challenging the idea that marriage, particularly marriage without love, is the only option for women, as opposed to having a career. But on the flip side, I was also moved by Sherry and how she managed to get a happy ending in her own way, despite pursuing an arranged marriage.

This is definitely a must-read for Austen fans, especially those who are looking for a new perspective on Pride and Prejudice.