“Back to the Garden” by Laurie R. King (ARC Review)

King, Laurie R. Back to the Garden. New York: Bantam, 2022.

ISBN-13: 978-0593496565 | $28.00 USD | 336 pages | Historical Mystery

Blurb

A fifty-year-old cold case involving California royalty comes back to life—with potentially fatal consequences—in this gripping standalone novel from the New York Timesbestselling author of the Mary Russell and Sherlock Holmes series.

A magnificent house, vast formal gardens, a golden family that shaped California, and a colorful past filled with now-famous artists: the Gardener Estate was a twentieth-century Eden.

And now, just as the Estate is preparing to move into a new future, restoration work on some of its art digs up a grim relic of the home’s past: a human skull, hidden away for decades.

Inspector Raquel Laing has her work cut out for her. Fifty years ago, the Estate’s young heir, Rob Gardener, turned his palatial home into a counterculture commune of peace, love, and equality. But that was also a time when serial killers preyed on innocents—monsters like The Highwayman, whose case has just surged back into the public eye.

Could the skull belong to one of his victims?

To Raquel—a woman who knows all about colorful pasts—the bones clearly seem linked to The Highwayman. But as she dives into the Estate’s archives to look for signs of his presence, what she unearths begins to take on a dark reality all of its own.

Everything she finds keeps bringing her back to Rob Gardener himself. While he might be a gray-haired recluse now, back then he was a troubled young Vietnam vet whose girlfriend vanished after a midsummer festival at the Estate.

But a lot of people seem to have disappeared from the Gardener Estate that summer when the commune mysteriously fell apart: a young woman, her child, and Rob’s brother, Fort.

The pressure is on, and Raquel needs to solve this case—before The Highwayman slips away, or another Gardener vanishes.

Review 

3 stars 

I received an ARC from the publisher via NetGalley and am voluntarily posting a review. All opinions are my own. 

I have never read Laurie R. King before, but was intrigued by the premise of Back to the Garden and the prospect of the story involving the investigation of a cold case. While there are some flaws with the execution, I more or less enjoyed the overall story. 

It definitely doesn’t feel much like a mystery at first, as the story goes back and forth between  past and present, setting the scene of the location. 

Raquel gets overshadowed as the investigator by some of the other major characters, especially with the “Then” timeline as a contrast. Who cares about the barely drawn detective when you have a whole bunch of well-drawn persons of interest, including one who is telling Raquel their story? 

The time-period is well-drawn, and I actually wouldn’t have minded spending the whole book in the 70s, even if it meant dispensing with the cold-case angle. Either doing that or spending more time fleshing out the present-day characters to match might have helped to achieve more of a balance, but the latter may have bogged down the pacing even more. 

And while the mystery itself receives a resolution, I didn’t feel like the narrative got proper closure. It was pretty abrupt, especially given how much effort it took to get there. 

I suspect that the style was just not for me, as I’m so picky about dual-timeline narratives. But many others seemed to enjoy it, so I would encourage any interested readers to consult a balance of reviews before making a decision. 

Author Bio

Laurie R. King is the award-winning, bestselling author of seventeen Mary Russell mysteries, five contemporary novels featuring Kate Martinelli, and many acclaimed stand-alone novels such as Folly, Touchstone, The Bones of Paris, and Lockdown. She lives on California’s Central Coast, where she is at work on her next Mary Russell mystery.

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Twitter: @LaurieRKing/@Mary_Russell

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“Court of the Vampire Queen” by Katee Robert (ARC Review)

Robert, Katee. Court of the Vampire Queen. Naperville, IL: Sourcebooks Casablanca, 2022.

ISBN-13: 978-1728264691 | $15.99 USD | 496 pages | Erotic Paranormal Romance 

Blurb

Three Powerfully Alluring Vampire Men

And One Queen to Rule Them All

All Mina ever wanted was to escape her father’s control. Half human, half vampire, she lived eternally torn between two worlds, never fully experiencing the pleasures of either—until her father chose her as the pawn in his latest political move, gifting her to the darkly powerful and dangerously seductive Malachi Zion.

Malachi is not a vampire to be trifled with. He rules with an iron fist and has a reputation for the darkest of sins. But the longer Mina spends with him, the more she realizes he’s not the monster she first thought—and as fear bleeds into lust, then trust, then something more, Malachi opens Mina up to a world she never knew could be hers for the taking: including the love of Malachi’s two closest friends and companions.

Now surrounded by all three men, the center of their shockingly seductive world, Mina may finally have the power to face down her father and take back the life—and crown—that by all rights should be hers.

LONG LIVE THE QUEEN.

Review 

4 stars 

I received an ARC from the publisher via NetGalley and am voluntarily posting a review. All opinions are my own. 

Court of the Vampire Queen is a collection of previously published works by Katee Robert, the Bloodline Vampires series, which is being released by Sourcebooks in a print edition (with Robert simultaneously retaining rights to sell the collection and the individual novellas independently). This work is somewhat more in line with the style Robert is more famous for, being high-heat, low-plot, so anyone picking it up solely after reading her Dark Olympus series (like I was) should be prepared for that, as well as the fact that these were written as three distinct, but connected works originally. 

However, while I’m usually not the target audience for this type of story, in that I’m very picky about erotic books I pick up and vampires aren’t really my thing, specifically because I don’t like the way they behave, especially regarding consent and agency, I was willing to put my trust in Katee Robert, especially as she’s known to be transparent about the sensitive content she includes in her work (and that’s no different here). And I happened to be in a weird mood with the “usual suspects” I typically preferred, and it just happened to mean I was in the right mood to consume something a bit more out-there like this. 

I generally liked the dynamics of this one. I typically steer clear of books with “reverse harem” dynamics (not to mention marketing), because of the problematic connotation of the phrase and the potential for homophobia/biphobia among the men. But Robert, who writes many types of polyam relationships, including queer ones, is an author who can be trusted to be compassionate in this area. 

And this is very much a story where Mina can hold her own among these very powerful men. The dynamics she forms with each of them, and that they have with each other, while primarily sexual, are interesting to read. 

The minimal plot that exists is centered on the mutual  conflict they have with Mina’s father. Mina has longed to escape her father’s control and abuse, and the bond that grows between her and the three men eventually brings them into the fight against him as well. 

This book was a lot of fun, and inspires me to want to explore more of Katee Robert’s backlist. With the previously mentioned caveats in mind, I would recommend it to any Katee Robert fan who missed out on this trilogy the first time around, or anyone who likes erotic paranormal romance.

Content warnings: available here

Author Bio

Katee Robert is a New York Times and USA Today bestselling author of contemporary romance and romantic suspense. Entertainment Weekly calls her writing “unspeakably hot.” Her books have sold over a million copies. She lives in the Pacific Northwest with her husband, children, a cat who thinks he’s a dog, and two Great Danes who think they’re lap dogs. You can visit her at https://www.kateerobert.com or on Twitter @katee_robert.

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“Honey and Spice” by Bolu Babalola (ARC Review)

Babalola, Bolu. Honey and Spice. New York: William Morrow, 2022.

ISBN-13: 978-0063141483 | $27.99 USD | 358 pages | Contemporary Romance 

Blurb

Introducing internationally bestselling author Bolu Babalola’s dazzling debut novel, full of passion, humor, and heart, that centers on a young Black British woman who has no interest in love and unexpectedly finds herself caught up in a fake relationship with the man she warned her girls about

Sweet like plantain, hot like pepper. They taste the best when together…

Sharp-tongued (and secretly soft-hearted) Kiki Banjo has just made a huge mistake. As an expert in relationship-evasion and the host of the popular student radio show Brown Sugar, she’s made it her mission to make sure the women of the African-Caribbean Society at Whitewell University do not fall into the mess of “situationships”, players, and heartbreak. But when the Queen of the Unbothered kisses Malakai Korede, the guy she just publicly denounced as “The Wastemen of Whitewell,” in front of every Blackwellian on campus, she finds her show on the brink.

They’re soon embroiled in a fake relationship to try and salvage their reputations and save their futures. Kiki has never surrendered her heart before, and a player like Malakai won’t be the one to change that, no matter how charming he is or how electric their connection feels. But surprisingly entertaining study sessions and intimate, late-night talks at old-fashioned diners force Kiki to look beyond her own presumptions. Is she ready to open herself up to something deeper?

A gloriously funny and sparkling debut novel, Honey & Spice is full of delicious tension and romantic intrigue that will make you weak at the knees.

Review 

3 stars 

I really enjoyed what Bolu Babalola brought to the table with her short-story collection last year, so I was curious to see what a full-length work from her would look like. Unfortunately, Honey and Spice suffered from being a bit too overhyped, including becoming s Reese’s Book Club pick, so while I see some positives here, I also can’t help but feel a bit mixed. 

I do really like what this book has to say about major social issues, like race relations, especially being a Black student in a majority-white university. It comes into play in a subplot, and while I had mixed feelings with the structure of the book, I enjoyed this aspect overall. 

Kiki is an opinionated protagonist, and while she can rub people the wrong way, I can appreciate that she leads with what she feels is  the best intentions. She’s a bit of a hypocrite in some of her words vs. her actions, but she develops self-awareness as the story goes on. 

The romance was mixed for me. I felt pretty mixed on the motivation for the fake dating, as while I can kind of see the intent, I’m not sure I felt the stakes for either party involved. I do feel the romantic arc is pretty well-done, and Kiki and Malakai have good chemistry. Like Kiki, Malakai is more than he seems at first, with depths that surprised me. They still had their petty moments of miscommunication, which seems ironic when they’re giving love advice to others, though. 

The pacing is what held the story back for me at times. The real inviting incident doesn’t happen until about 35% in, to the point where I sometimes wondered whether I was reading the right book. And then toward the end, the aforementioned miscommunications come into play for a “just because” third-act breakup, and I’ve often felt lately that, half the time, they aren’t really effective in advancing the characters’ growth, but instead regress them, and sadly, I feel like this happened here. 

There’s a lot of promise here, but it also falls back on some of the crutch tropes and archetypes of the genre, which are misused more often than they’re used effectively. I can see why others who aren’t as fatigued by the prevalence of the third-act breakup, who also enjoy the new heroine-centric direction of the genre, would like it a bit more, and would recommend anyone who enjoys either or both of those things to give this a try. 

Author Bio

Bolu Babalola is a British-Nigerian journalist, writer, and lover of love. In 2016, she was shortlisted in 4th Estate’s B4ME competition for her short story “Netflix & Chill,” a hilarious tale of teen romance. While writing scripts for TV and film, she also works as a content creator, where she calls herself a “romcomoisseur.”

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“The Holiday Trap” by Roan Parrish (ARC Review)

Parrish, Roan. The Holiday Trap. Naperville, IL: Sourcebooks Casablanca, 2022.

ISBN-13: 978-1728256276 | $15.99 USD | 448 pages | Contemporary Romance 

Blurb

For fans of Alexandria Bellefleur and Alexis Hall comes a charming, hilarious, and heartwarming LGBTQIA+ romcom about two separate couples finding love over the holidays from acclaimed author Roan Parrish! 

Greta Russakoff loves her tight-knit family and tiny Maine hometown, even if they don’t always understand what it’s like to be a lesbian living in such a small world. She desperately needs space to figure out who she is.

Truman Belvedere has just had his heart crushed into a million pieces when he learned that his boyfriend of almost a year has a secret life that includes a husband and a daughter. Reeling from this discovery, all he wants is a place to lick his wounds far, far away from New Orleans.

Enter Greta and Truman’s mutual friend, Ramona, who facilitates a month-long house swap. Over the winter holidays, each of them will have a chance to try on a new life…and maybe fall in love with the perfect partner of their dreams. But all holidays must come to an end, and eventually Greta and Truman will have to decide whether the love they each found so far from home is worth fighting for.

Review

4 stars 

I received an ARC from the publisher via NetGalley and am voluntarily posting a review. All opinions are my own. 

I haven’t read Roan Parrish before, despite owning several of her books and having long wanted to try them. However, The Holiday Trap really caught my attention, with the promise that it was sort of a queer spin on The Holiday, one of my favorite holiday movies. 

I really like how it establishes the connection between the swappers, Truman and Greta, early on. While they don’t know each other at the start, they have a fairy-godmother of a mutual friend who I adored in the moments she appeared in the book (her text snippets with both are gold!). And while each goes on their own adventures in each other’s respective hometowns, I love how the connection between them is continually reinforced, especially when Greta takes it upon herself to provide some closure with Truman’s scumbag ex in his stead. 

Both also go on great journeys of self-discovery as they find themselves outside their comfort zone. Greta especially finds some of the acceptance she has been seeking, as her family has never really understood her queerness and expected her to remain within the box they confined her in. Truman’s is more directly romance-centric, as he is dealing with the blow of his cheating ex and wanting to get away from it all. 

The romances could have been a bit more developed…I didn’t feel like I got to know either love interest that well. Carys in particular was an odd fit for me. There’s palpable chemistry between Truman and Ash, so the big “third-act” crisis being about doubts in their relationship felt a little off, but was a great way to bring things full-circle, involving Greta in the story again (as she’s also friends with Ash). 

For most of the book, it was pretty well-paced, and I was surprised ultimately when I found out how long it was. The book is so breezy and light, I didn’t notice most of the pages fly by. However, the pace really staggered toward the end, where things were resolved, but there were still scenes taking place “after” when everyone had settled in their new lives. Like, not even just an epilogue, but a few chapters worth. It killed the momentum that had been pretty steady up to that point.

This is a really cute story, and while as a romance, it’s a little uneven, I’d still recommend it to anyone looking for something fun and queer to read in the coming holiday season. 

Author Bio

Roan Parrish lives in Philadelphia, where she is gradually attempting to write love stories in every genre.

When not writing, she can usually be found cutting her friends’ hair, meandering through whatever city she’s in while listening to torch songs and melodic death metal, or cooking overly elaborate meals. She loves bonfires, winter beaches, minor chord harmonies, and self-tattooing. One time she may or may not have baked a six-layer chocolate cake and then thrown it out the window in a fit of pique.

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“Monsters Born and Made” by Tanvi Berwah (ARC Review)

Berwah, Tanvi. Monsters Born and Made. Naperville, IL: Sourcebooks Fire, 2022.

ISBN-13: 978-1728247625 | $18.99 USD | 352 pages | YA Fantasy 

Blurb

Perfect for fans of The Hunger Games and Fable, this South Asian-inspired fantasy is a gripping debut about the power of the elite, the price of glory, and one girl’s chance to change it all.

Sixteen-year-old Koral and her older brother Emrik risk their lives each day to capture the monstrous maristags that live in the black seas around their island. They have to, or else their family will starve.

In an oceanic world swarming with vicious beasts, the Landers―the ruling elite, have indentured Koral’s family to provide the maristags for the Glory Race, a deadly chariot tournament reserved for the upper class. The winning contender receives gold and glory. The others―if they’re lucky―survive.

When the last maristag of the year escapes and Koral has no new maristag to sell, her family’s financial situation takes a turn for the worse and they can’t afford medicine for her chronically ill little sister. Koral’s only choice is to do what no one in the world has ever dared: cheat her way into the Glory Race.

But every step of the way is unpredictable as Koral races against contenders―including her ex-boyfriend―who have trained for this their whole lives and who have no intention of letting a low-caste girl steal their glory. When a rebellion rises and rogues attack Koral to try and force her to drop out, she must choose―her life or her sister’s―before the whole island burns.

Review

3 stars 

I received an ARC from the publisher via NetGalley and am voluntarily posting a review. All opinions are my own. 

Monsters Born and Made sounded like a fun concept, but I felt really let down and generally disengaged throughout. Part of it was due to the lack of momentum from my last read and the general funk of my mood of the last couple days, but even passably compelling books manage to pull me out of it. 

Unlike others, I don’t mind that it’s derivative; I have never read The Hunger Games and don’t plan to now. Half of the existing YA fantasy (or just fantasy in general) by white authors is derivative of the same sources, so who am I to say a South Asian author can’t have fun with the same setup? 

The Indian-inspired worldbuilding, while not super developed, is interesting, and while I have some reservations about other aspects of the book, I do like how this world depicts a version of the caste system. It is a bit restrained, due to the limitations of the POV of the protagonist, but that’s something I’d be open to seeing Berwah explore more. 

The characters were perhaps what  I felt the most was lacking. Koral is sometimes sympathetic, due to what she has gone through, and she has a right to be angry about the state of her life. But beyond that? The romance in particular was rather uninspiring, especially given how overdramatic it was for such young people (even given how emotional teens can be). 

There’s…potential…here, but it misses the mark somewhat in execution. And while I can see it working for other readers, especially those within the target audience, it just didn’t work for me. 

Author Bio

Tanvi Berwah is a South Asian writer who grew up wanting to touch the stars and reach back in time. She has a Master’s degree in English Literature from the University of Delhi. Her debut YA novel, Monsters Born and Made, is forthcoming from Sourcebooks Fire in 2022. Find her at https://tanviberwah.com.

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“The Decoy Girlfriend” by Lillie Vale (ARC Review)

Vale, Lillie. The Decoy Girlfriend. New York: G.P. Putnam’s Sons, 2022.

ISBN-13: 978-0593422021 | $17.00 USD | 336 pages | Contemporary Romance 

Blurb

A laugh-out-loud funny and whip-smart romantic comedy from the author of The Shaadi Set-Up, about a young woman who takes the place of her celebrity doppelgänger, and must fake-date the actress’s sexy costar boyfriend.
Writer Freya Lal has a huge secret: she’s a dead ringer for It-girl actress Mandi Roy. Her second novel is due in a month, but inspiration is nowhere to be found. Desperate to shake off her writer’s block, Freya leans into her look-alike abilities and indulges in some mistaken identity for simple perks, like scoring a free mimosa or getting into a trendy nightclub. Actor Taft Bamber appears to have it all: gorgeous, talented, and Mandi’s love interest both on- and off-screen. But what nobody knows is that their relationship is a PR stunt, and after years of playing make-believe, he’s yearning for something real. When Freya’s latest impersonation of Mandi goes viral thanks to Taft’s accidental interference, rumors of a breakup threaten Hollywood’s golden couple. To make amends, Freya is forced to give Mandi a little time off: she’ll pretend to be the actress for a month, move in with Taft, and squash the rumors by acting completely in love. But as Freya and Taft play house, it becomes impossible to ignore that their instant chemistry isn’t just for the cameras. While faking it, they might have just found the real thing.

Review 

3 stars 

I received an ARC from the publisher via NetGalley and am voluntarily posting a review. All opinions are my own.

Maybe there’s something that just doesn’t click with me about Lillie Vale’s adult writing, as while I’ve enjoyed both her YA titles, The Decoy Girlfriend left me feeling as mixed as The Shaadi Set-Up. She’s a competent writer, but something I can’t put my finger on has gotten lost in translation here. 

Freya is a cool character on her own, and perhaps the best part of the book. I love that she’s a writer who achieved some success with her debut, but is struggling to produce a second book on deadline. The concept of having a lookalike who’s a celebrity is super cool, and I wish the story had done a bit more with it, especially in exploring Mandi as a contrast. 

Taft was very vanilla and unexciting…even his name is grating (I’ll put the blame on my recent exploration of US Presidential history for that one). And for such a fun premise with the fake dating on top of fake dating, I don’t think I ever felt any sparks between him and Freya. Plus, he’s a huge star who Freya already likes, but I’d have liked to see more substance to him beyond him being a hot, famous  guy looking for something different (because aren’t they always? *shrugs*)

While this book was a bit of a miss for me, I didn’t hate it and it’s a pretty fast, easy read. If you enjoy fake dating, you might enjoy this a bit more than I did. 

Author Bio

Lillie Vale is the author of books for both teens and adults, including The Decoy Girlfriend, Beauty and the Besharam, The Shaadi Set-Up and Small Town Hearts, an American Library Association’s 2020 Rainbow Books List selection. She writes about secrets and yearning, complicated and ambitious girls who know what they want, the places we call home and people we find our way back to, and the magic we make. Born in Mumbai, she grew up in Mississippi, Texas, and North Dakota, and now lives in an Indiana college town. Find her on Twitter @LillieLabyrinth and Instagram @labyrinthspine, or visit her website lillielabyrinth.com.

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“A Secret Princess” by Margaret Stohl and Melissa de la Cruz (Review)

Stohl, Margaret, & Melissa de la Cruz. A Secret Princess. New York: G.P. Putnam’s Sons, 2022.

ISBN-13: 978–1984812049 | $18.99 USD | 400 pages | YA Historical Fiction 

Blurb

A surprising and romantic YA retelling-mashup of A Little Princess and The Secret Garden by bestselling authors Margaret Stohl and Melissa de la Cruz.

Best friends Mary Lennox, Sara Crewe, and Cedric Erroll are best friends. And thank goodness, since their boarding school is basically insufferable. When one of the friends suffers a personal tragedy, a plan—and a secret—change everything for the trio . . . for good.

Filled with charm and romance, and inspired by some of classic literature’s most beloved characters, The Secret Princess is the perfect blend of A Little Princess and The Secret Garden—and the perfect companion to Jo & Laurie.

Review 

4 stars 

Like many kids, I enjoyed the magic of Frances Hodgson Burnett’s stories growing up, especially A Little Princess and The Secret Garden. But like some of those readers, I also acknowledge the serious flaws of those books, including racism, colonialism, and ableism, which while being somewhat in line with the values of the time they were written, are often not discussed critically  when handing the books to kids today. And that’s why, despite my serious misgivings about the first collaboration Margaret Stohl and Melissa de la Cruz released, I was much more optimistic about A Secret Princess. 

While it does not delve too deeply into the impact of colonialism, it does soften, comment on,  and push back on some of the other harmful elements of the original works through some strategic character changes. Sara being Filipino is chief among them. Melissa de la Cruz comments in her co-author’s note at the end about how she had longed to see herself in stories like this one, especially as Sara is in many ways an admirable character who many already root for. It also contributes to the current dialogue where BIPOC creators fight back against the notion that their histories are solely defined by poverty and oppression. Sara’s diminished status upon (supposedly)  losing her wealth and status does have an additional layer of “ick” as a result, but she (with support from her friends) fights back and challenges the adults’ behavior. 

Mary is also much more likable from the start. Unfortunately, she’s still raised in British-controlled  India, but she is a much kinder person to her inferiors. She doesn’t speak derogatorily of the Indian people (including her ayah) and she is one of the main sources of support and friendship when Sara is reduced to bondage and servitude. 

I’m much less familiar with the story of Little Lord Fauntleroy, but I appreciate him being combined with Colin to create Cedric. He has a complicated relationship with his heritage as the son of an Earl, due to the dysfunctional relationship he has with his father, so he keeps some secrets about himself until revealing himself is perceived as a benefit to get him, Sara, and Mary out of trouble. And the way his relationship with his father was explored had hints of a similar dynamic between Colin and his father, while not being ableist, and focusing more on the connection to Cedric’s late mother. 

I generally enjoyed the way the story was executed, touching on some major beats of each of the stories and helping to resolve each of the leads’ major issues. There are some minor changes to characters I didn’t like, such as the way Martha was portrayed at times as gleefully engaging in the punishment of the girls who weren’t anything but nice to her. It feels like a betrayal of her generally sweet character (who took way more abuse from Mary in the original Secret Garden), especially with Dickon being willing to be kind to a down-on-her-luck Sara. 

I also had some mixed feelings about the romances. While the Mary/Cedric romance took me a little off-guard at first, I warmed to them over time, especially as while the declaration of love came rather quickly, they already have a decent history as friends and grow even more from there. 

I found myself more disappointed with the outcome for Sara and Dickon, who I’ve randomly shipped for years (even having written my own fanfic about them). They meet pretty late in the story, and it was exactly the opposite of the Mary/Cedric situation, as this time, the sparks were palpable. However, the outcome of their relationship deeply disappointed me. I could understand the initial parting on some level, because they do want different things at heart, but to make the separation irrevocable? It makes sense for his status historically, but it still hurts. 

While it isn’t necessary to read the authors’ prior collaboration, there is some minor crossover, as Jo March appears at the end of the book. While I don’t care for Jo/Laurie, I love the opportunities it presents for a “Reimagined Classics” Literary Multiverse, with famous characters cameoing in each other’s stories. 

I went into this with next-to-no expectations, and ended up being pleasantly surprised at the results. It perfectly captures the basic themes that make the originals beloved by many, while also being more inclusive and compassionate toward a modern audience. 

Author Bios

Margaret Stohl is a the #1 New York Times bestselling author of fifteen novels and graphic novels, including the Beautiful Creatures series, the Black Widow: Forever Red duology, the ongoing Mighty Captain Marvel comic, and the Life of Captain Marvel miniseries. Learn more at https://mstohl.com and follow Margie on Twitter @mstohl and on Instagram @margaret_stohl.

Melissa de la Cruz is the #1 New York Times, #1 Publisher’s Weekly and #1 IndieBoundbestselling author of many critically acclaimed and award-winning novels for readers of all ages. Her books have topped USA Today, Wall Street Journal and Los Angeles Times bestseller lists and been published in more than twenty countries. She is best-known for her Blue Bloods series (with more than three million copies in print), The Descendants books based on the Disney Channel films, and the Witches of East End novels, which were turned into a two-season drama series on Lifetime Television. Melissa de la Cruz lives in West Hollywood with her husband and daughter.

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“The Fortunes of Jaded Women” by Carolyn Huynh (ARC Review)

Huynh, Carolyn. The Fortunes of Jaded Women. New York: Atria Books, 2022.

ISBN-13: 978-1982188733 | $27.00 USD | 272 pages | Contemporary/Magical Realism

Blurb

or fans of Jonathan Tropper, KJ Dell’Antonia, and Kevin Kwan, this “sharp, smart, and gloriously extra” (Nancy Jooyoun Kim, The Last Story of Mina Lee) debut follows a family of estranged Vietnamese women—cursed to never know love or happiness—as they reunite when a psychic makes a startling prediction.

Everyone in Orange County’s Little Saigon knew that the Duong sisters were cursed.

It started with their ancestor, Oanh, who dared to leave her marriage for true love—so a fearsome Vietnamese witch cursed Oanh and her descendants so that they would never find love or happiness, and the Duong women would give birth to daughters, never sons.​

Oanh’s current descendant Mai Nguyen knows this curse well. She’s divorced, and after an explosive disagreement a decade ago, she’s estranged from her younger sisters, Minh Pham (the middle and the mediator) and Khuyen Lam (the youngest who swears she just runs humble coffee shops and nail salons, not Little Saigon’s underground). Though Mai’s three adult daughters, Priscilla, Thuy, and Thao, are successful in their careers (one of them is John Cho’s dermatologist!), the same can’t be said for their love lives. Mai is convinced they might drive her to an early grave.

Desperate for guidance, she consults Auntie Hua, her trusted psychic in Hawaii, who delivers an unexpected prediction: this year, her family will witness a marriage, a funeral, and the birth of a son. This prophecy will reunite estranged mothers, daughters, aunts, and cousins—for better or for worse.

A multi-narrative novel brimming with levity and candor, The Fortunes of Jaded Women is about mourning, meddling, celebrating, and healing together as a family. It shows how Vietnamese women emerge victorious, even if the world is against them.

Review 

3.5 stars 

I received an ARC from the publisher via NetGalley and am voluntarily posting a review. All opinions are my own. 

The Fortunes of Jaded Women is a fun tribute to the relationships between Vietnamese women across generations. Evoking the humorous, satirical, sometimes comical style of Crazy Rich Asians, I love how this book tackled some deep issues while also being a pretty over-the-top family story with a subtle infusion of magic in the form of a generational curse. 

There’s a lot of characters here, and I can’t say I felt attached to any one of them. However, I like how the general spirit of the relationships was executed, with the goal of the book being for these bitter, estranged people to reconcile with each other before it’s too late. 

And while the large extended family have splintered for one reason or another, I love how the narrative sees them facing varied life changes and transitions together, from the loss of loved ones (a funeral) to other rites of passage (a marriage and a birth). 

This book works on the strengths of its overall themes, balanced with the light tone. While it might not work for someone who prefers something a bit more character driven, I would recommend it for someone who enjoys a narrative where each character plays a role in contributing to a larger piece of the puzzle, as they do within the family unit here. 

Author Bio

Carolyn Huynh grew up in Orange County, California, not appreciating the weather enough. She has a BA in journalism from Seattle University and an MS in human centered design from the University of Washington. The youngest daughter of Vietnamese refugees, her writing focuses on her mother’s tall tales, superstitions, the diaspora, and memory (both real and imaginary). She especially loves stories about messy Asian women who never learn from their mistakes. After living up and down the West Coast, she currently resides in Los Angeles with her rabbit and dog. She still doesn’t appreciate the weather enough. When she’s not writing, Carolyn daydreams about having iced coffee on a rooftop in Saigon. Follow her on Twitter @CarolynKHuynh.

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“This Is Why They Hate Us” by Aaron H. Aceves (Review)

Aceves, Aaron H. This Is Why They Hate Us. New York: Simon & Schuster Books for Young Readers, 2022.

ISBN-13: 978-1534485655 | $19.99 USD | 400 pages | YA Contemporary Romance 

Blurb

This fun, irreverent summer romp is Netflix’s Never Have I Ever meets What If It’s Us about a high school senior determined to get over his unrequited feelings for his best friend by getting under someone else.

Enrique “Quique” Luna has one goal this summer—get over his crush on Saleem Kanazi by pursuing his other romantic prospects. Never mind that he’s only out to his best friend, Fabiola. Never mind that he has absolutely zero game. And definitely forget the fact that good and kind and, not to mention, beautiful Saleem is leaving LA for the summer to meet a girl his parents are trying to set him up with.

Luckily, Quique’s prospects are each intriguing in their own ways. There’s stoner-jock Tyler Montana, who might be just as interested in Fabiola as he is in Quique; straitlaced senior class president, Ziggy Jackson; and Manny Zuniga, who keeps looking at Quique like he’s carne asada fresh off the grill. With all these choices, Quique is sure to forget about Saleem in no time. 

But as the summer heats up and his deep-seated fears and anxieties boil over, Quique soon realizes that getting over one guy by getting under a bunch of others may not have been the best laid plan and living his truth can come at a high cost.

Review 

4 stars 

I received an ARC from the publisher via NetGalley. Review based on final copy. All opinions are my own. 

This is a case where I found the author, Aaron H. Aceves, through Twitter first, then subsequently became interested in his work. This Is Why They Hate Us sounded right up my alley, and I ended up really enjoying it. 

I love the bi rep, especially as expressed through the protagonist, Enrique, called “Quique” by those he’s close to. Quique is pretty sure at the beginning of the book he’s bi, but there’s still a lot to explore in terms of his relationship with his sexuality, including coming out to others, even when it’s difficult. And his struggles with his mental health are so real…I wanted to hug him at various points throughout the book. However, the narrative artfully toes the line between self-discovery and self-fulfillment, with each dark moment serving Quique’s growth. 

Sexuality overall is handled really well and with a general positive tone throughout. As far as the interactions with his teacher goes, I feel like it approaches the sensitive issue of the blurred lines of a teacher-student relationship that can get too intimate pretty well, with a decent amount of self-awareness, although I can see the opinions varying for others. 

And while Quique’s character provides  Latinx, queer, and mental health rep, there’s also diversity among the supporting cast too. While he does pursue other options over the summer, he keeps coming back to his (presumably) unrequited love for Saleem, who is Muslim. I cannot speak for the rep intimately, but I do feel that this book attempts to do more than pay lip service to the religion, especially as Saleem is Palestinian. This allows for commentary on the the Israel/Palestine “conflict,” and how, while it made sense for Jewish refugees to receive their own country after the Holocaust, it shouldn’t have come at the cost of the Palestinians living in the area who were (and still are) oppressed and killed by the  Israeli government. 

This book strikes a great balance between being hard-hitting, yet somewhat lighthearted and even humorous in places. It’s a great read for queer folks, those dealing with mental health issues, and those reckoning with the challenges of growing up. If that sounds appealing to you, you’ll enjoy this book. 

Author Bio

Aaron H. Aceves (he/him) is a bisexual, Mexican-American writer born and raised in East L.A. He graduated from Harvard College and received his MFA from Columbia University. His fiction has appeared in jmww, Epiphany, and them., among other places. He currently lives in Texas, where he serves as an Early Career Provost Fellow at UT Austin, and his debut novel, This Is Why They Hate Us, was released by Simon & Schuster Books for Young Readers.

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“The Bachelor and the Bride” (Dread Penny Society #4) by Sarah M. Eden (ARC Review)

Eden, Sarah M. The Bachelor and the Bride. Salt Lake City: Shadow Mountain, 2022.

ISBN-13: 978-1639930487 | $15.99 USD | 368 pages | Victorian Romance 

Blurb

London,1866

Dr. Barnabus Milligan has always felt called to help people, whether that means setting a broken bone or rescuing the impoverished women of London from their desperate lives on the streets as part of his work with the Dread Penny Society.

Three years ago, he helped rescue Gemma Kincaid by marrying her in secret to protect her from her family, notorious grave robbers who were intent on keeping her working in the trade.

But their unconventional relationship is nearly over before it begins when, six months after they exchange vows, Gemma realizes her love for Barnabus is unrequited. To protect her heart, she leaves, telling Barnabus to contact her if his feelings for her ever grow beyond a sense of duty.

When Gemma finally receives a letter from Barnabus, inviting her to return home, she hopes to find a true connection between them. But she quickly learns that he only wants her help to foil the Kincaids, who have been terrorizing the boroughs of London, eager to gain both money and power.

Heartbroken once more, Gemma agrees to help, but she warns Barnabus that she will not stay for long, and once she goes, he’ll never see her again.

Yet as the couple follow the clues that seem to connect the Kincaids to the Mastiff, the leader of London’s underground criminal network, Gemma and Barnabus both realize they might make a better match than either of them suspected. Perhaps the marriage that had once saved Gemma’s life, might prove the means of saving Barnabus—and his lonely heart—as well.

But before the once-confirmed bachelor can properly court his secret bride, they’ll need to evade the dangerous forces that are drawing ever closer to the hopeful lovers and the entire Dread Penny Society itself.

In the series

#1 The Lady and the Highwayman

#2 The Gentleman and the Thief

#3 The Merchant and the Rogue

Review 

3  stars 

I received an ARC from the publisher via NetGalley and am voluntarily posting a review. All opinions are my own. 

The Bachelor and the Bride is the fourth installment in Sarah M. Eden’s Dread Penny Society series. While some elements, like the romance, stand alone, I feel it’s a series best read in order to get the fuller context of the cast of characters and the overarching plot elements. 

As a romance, I found this one pretty solid. I enjoyed the setup with Barnabus wanting to offer financial support for Gemma by marrying her, but Gemma being broken-hearted because she has feelings for him he does not return. It’s hard not to feel for Gemma and the situation she’s in, and I also found her pretty likable in her own right, as she’s both sweet and relatively confident in herself, in spite of what she’s been through. It took a bit to warm up to Barnabus, but he’s coming from the right place, and his love for Gemma grows gradually throughout the story. 

Like the previous books, you get interstitial bits of “penny dreadful” stories. The “Mr. King” contribution sharing a name with the book’s title is a fun one, and I liked the subtle parallels with Barnabus and Gemma’s story. The one “written” by Barnabus himself was a bit more of a miss for me, although the presentation feels realistic for something his character would write. 

I found myself feeling very mixed on the external plot. I enjoyed how it connected to Gemma’s past overall, with her family being the major villains who Barnabus once saved her from, who he now needs her help to bring down. But trying to follow it amid the other things going on sort of killed the momentum at times for me. And the ending (which took a while to get to) felt a bit unbelievable, even taking into account how much easier it was to disappear and be declared dead in the 19th century. 

While I didn’t like this as much as the previous book, it is very much in line with the somewhat up-and-down nature of the series thus far for me. It does seem to be well-received by others, so I’d take that into account before making a decision. 

Author Bio

Sarah M. Eden is a USA Today best-selling author of witty and charming historical romances, including 2020’s Foreword Reviews INDIE Awards Gold Winner for Romance, Forget Me Not, and 2020 Holt Medallion finalist, Healing Hearts. She is a two-time “Best of State” Gold Medal winner for fiction and a three-time Whitney Award winner. Combining her obsession with history and her affinity for tender love stories, Sarah loves crafting deep characters and heartfelt romances set against rich historical backdrops. She holds a bachelor’s degree in research and happily spends hours perusing the reference shelves of her local library.

Sarah is represented by Pam Pho at D4EO Literary Agency.

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