Kagawa, Julie. Shadow of the Fox. Toronto, Ontario: HarlequinTeen, 2018.
Hardcover | $19.99 USD | ISBN-13: 978-1335145161 | 409 pages | YA Fantasy
Shadow of the Fox was recommended to me a while back, but I never got around to it at the time, and finally decided to give a go. My conclusion is that, while it does suffer from some structural and personal preference things that do lead me to mark it down a bit, it is a fairly solid story.
I felt incredibly silly once I got several chapters into this book, and realized that not only was there the occasional chapter from a secondary character, Suki (written in third person), but there were also two first person narrators, Yumeko and Tatsumi. I partly blame myself for being dense and not noticing, especially in the initial chapters, but it’s just something I find super jarring, particularly when there’s no indicator the narrator changes at the beginning of the chapter, and while it does follow a reasonably predictable rhythm that I picked up on after a while, it was annoying to have to figure out who was who, and only knowing for sure once they were together and each referred to the other person consistently. Your mileage may vary on this, but I’m going to b e the dissenting voice and say that, especially if Suki grows more important in future books, this could easily have been written entirely in third person, to make it less confusing. Or chapter headers could have also helped. Granted, other people seem to have no issue with this style, so it could just be me.
The characters themselves, once I got over that problem, were intriguing to me, with the occasional glimpses of Suki and her plight serving an awful mistress being something I’m hoping we get more of in the next two books. And while initially Yumeko and Tatsumi fall into familiar cliches, those being the naive damsel and the emotionally closed-off hero, they both still had depth that made them feel real beyond that, and I think Yumeko is one of those heroines who, despite not being super kickass like some of the other YA heroines of late, actually does try her best in her own way, and ends up making an impact.
I also love how Kagawa infused her world with Japanese influences, with it being most obvious in part one’s world building, although it continues throughout the book. It feels so rich with lore, and I felt like I learned a lot about aspects of my heritage that I didn’t really know about before (or care to seek out through other means).
This is a solid, if slightly predictable, YA fantasy, although that doesn’t make it any less enjoyable for what it is. And I would definitely recommend it to other fans, with the warning about the weird narrative choices to those like me who aren’t huge fans of it.