Review of “The Bands of Mourning” (Mistborn #6, The Alloy Era/Wax and Wayne #3) by Brandon Sanderson

Sanderson, Brandon. The Bands of Mourning. New York: Tor, 2016.

Hardcover | $27.99 USD | ISBN-13: 978-0765378576 | 446 pages | Fantasy

4 stars

The Bands of Mourning once again leaves me a bit conflicted regarding this era of Mistborn. Like with my recent read of Elantris, in spite of any shortcomings, I found the writing consistently engaging, to the point where I actually binge read it from early afternoon into the evening, but the flaws with some other aspects still felt a little lacking.

That’s not to say there aren’t other good consistent elements, and some improvements from the last two books. I still adore Wayne and his quirkiness, and it’s a shame that he’s so well-developed, only to essentially be playing second fiddle.

One of the things I also enjoyed was seeing greater development to Steris’s character, and I like that the development does feel natural in the sense of stripping away the layers of the stiff, somewhat bland character we were initially introduced to and seeing some of her awkwardness, which is balanced perfectly by her loyalty to those she’s close to.

And while there were some connections to Era One established in the prior two books, I think it was great to kind of see the way characters like Vin and Elend have entered the mythos of Scadrial hundreds of years later, especially as this is something that the characters talk about more openly in this one.

I do still feel like Waxilium isn’t that well fleshed-out, still adhering very much to very specific Western stereotypes for his character, which, even without really being exposed to that genre, still feels a bit much three books in.

On the whole, this is still a fun adventure in the world of Mistborn, albeit flawed, and I hope that, given the way Sanderson has worked to develop Steris this time around, he will make some effort to give some greater originality and depth to Waxilium in the final book. However, I do continue to recommend era two to fans of Sanderson who are looking for a fun Western-esque fantasy adventure.

Review of “Shadows of Self” (Mistborn #5, The Alloy Era/Wax and Wayne #2) by Brandon Sanderson

Sanderson, Brandon. Shadows of Self. New York: Tor, 2015.

Hardcover | $27.99 USD | ISBN-13: 978-0765378552 | 383 pages | Fantasy

4 stars

Shadows of Self continues the fun that was introduced in its predecessor, The Alloy of Law to great effect. While I still believe this series definitely pales in comparison to some of Sanderson’s other work, it doesn’t have to be another great epic masterpiece, especially considering he already is working on that with the Stormlight Archive. And one of the things I continue to love about this era is the continued development of the world and how it feels organic to what you would expect it would feel like to take the world of Scadrial and advance it several hundred years, allowing the magic to evolve as the technology does, in a way that still feels faithful to the original series, but has enough new concepts to keep things interesting.

I would say that the character development is still the weakest part of the series thus far, with some overcompensation to establish the importance of characters like Marasi, whose role wasn’t fully fleshed out in the prior book, and Wax not really having a ton of character growth. But Wayne remains the most endearing character, with a balance of his quirky charm and the exploration of his dark past. I can only hope that, with the next book and going forward to the book in progress, that there is more improvement in making all the main characters feel as rounded and developed as the characters of the original trilogy.

On the whole, I enjoyed this one, although as with the prior book, more for the fun of further exploring the world than anything else. I will repeat what I said in my last review that I do recommend this to some of the Sanderson fans who may be a little reluctant to try it.

Review of “The Alloy of Law” (Mistborn #4, Alloy Era/Wax and Wayne #1) by Brandon Sanderson

Sanderson, Brandon. The Alloy of Law. New York: Tor, 2011.

Paperback | $24.99 USD | ISBN-13: 978-0765330420 | 332 pages | Fantasy

4 stars

Upon completing the original Mistborn trilogy, I wasn’t sure about going into the second era, especially given that I had heard it was different in tone from the first trilogy. Therefore, I figured the best thing to do would be to ease my way into that series by alternating them with the larger Stormlight books, which was something that had been suggested as a reading order by a more seasoned Sanderson fan.

But I ended up really appreciating that Sanderson wanted to do something different after finishing the first era of Mistborn. I love how the tone feels a bit lighter, due to it stylistically paying homage to the Western and steampunk genres, something you don’t see often with epic fantasy, much less any progression beyond the medieval tech level. And upon learning his future plans to continue developing the world technologically into a futuristic setting down the road, I am definitely sold on this idea. And now being more intimately aware of how he plans to progress the world and make the characters from previous eras into god-like legends in succeding eras, I now understand his rationale for the Ascension at the end of The Hero of Ages.

The characters themselves were a bit less engaging than the original trilogy, although I do feel like it was meant to be smaller in scope, and the characters do feed into some Western genre stereotypes, which explains them not feeling overly fleshed out. However, Wax and Wayne are intriguing characters to follow, and seem to carry this sub-series well. Wayne in particular was fun to read, as he adds humor that I haven’t seen in any of Sanderson’s other works I’ve read to date, aside from Warbreaker.

While it’s definitely not the best thing Brandon Sanderson has written, it’s obvious that this is something he seems to have fun working on (especially given that there are now three books in this series, with a fourth announced and being worked on), and it is definitely a great example of his process of taking something that’s been done to death and doing something different with it. I would recommend it to anyone who likes Sanderson’s style and process, but may have been reluctant to try it, given what they may have heard about it being drastically different from the first Mistborn trilogy.