Sanderson, Brandon. The Alloy of Law. New York: Tor, 2011.
Paperback | $24.99 USD | ISBN-13: 978-0765330420 | 332 pages | Fantasy
Upon completing the original Mistborn trilogy, I wasn’t sure about going into the second era, especially given that I had heard it was different in tone from the first trilogy. Therefore, I figured the best thing to do would be to ease my way into that series by alternating them with the larger Stormlight books, which was something that had been suggested as a reading order by a more seasoned Sanderson fan.
But I ended up really appreciating that Sanderson wanted to do something different after finishing the first era of Mistborn. I love how the tone feels a bit lighter, due to it stylistically paying homage to the Western and steampunk genres, something you don’t see often with epic fantasy, much less any progression beyond the medieval tech level. And upon learning his future plans to continue developing the world technologically into a futuristic setting down the road, I am definitely sold on this idea. And now being more intimately aware of how he plans to progress the world and make the characters from previous eras into god-like legends in succeding eras, I now understand his rationale for the Ascension at the end of The Hero of Ages.
The characters themselves were a bit less engaging than the original trilogy, although I do feel like it was meant to be smaller in scope, and the characters do feed into some Western genre stereotypes, which explains them not feeling overly fleshed out. However, Wax and Wayne are intriguing characters to follow, and seem to carry this sub-series well. Wayne in particular was fun to read, as he adds humor that I haven’t seen in any of Sanderson’s other works I’ve read to date, aside from Warbreaker.
While it’s definitely not the best thing Brandon Sanderson has written, it’s obvious that this is something he seems to have fun working on (especially given that there are now three books in this series, with a fourth announced and being worked on), and it is definitely a great example of his process of taking something that’s been done to death and doing something different with it. I would recommend it to anyone who likes Sanderson’s style and process, but may have been reluctant to try it, given what they may have heard about it being drastically different from the first Mistborn trilogy.