Morton, Kate. The Clockmaker’s Daughter. New York: Atria Books, 2018.
Hardcover | $28.00 USD | ISBN-13: 978-1451649390 | 485 pages | Historical Fiction
Kate Morton is an author I enjoyed quite a bit in the past, but found myself having some difficulty getting into her last release, The Lake House. So, when I heard about The Clockmaker’s Daughter, I was interested in picking it up, but not overly eager to do so. And now that I have, I have mixed feelings.
Morton has a beautiful and evocative writing style that always gives me the sense that I’m actually in the places she describes, in this case a stately manor near the Thames. She also manages to capture the voice of the central historical character she’s writing about beautifully, in this case the spirit-character, Birdie. She has such a powerful voice, and even as I waited for it all to come together, I still found myself captivated by those chapters.
However, I did feel like it took a bit too long to come together, and I found myself a bit confused at times, what with all the skipping about through time. And despite there being quite a few characters in these different time periods the only one who really stood out aside from Birdie was Edward, due to the mystery being so focused on him. And while there are obvious connections between the time periods, the book falls into the common problem with multi-timeline stories where we don’t really spend enough time with anyone to see them develop or get attached to them, with a few exceptions.
In general, this wasn’t really for me, although it did have a lot of promise. That being said, I think it’s still worth giving it a shot after looking into the varying opinions on the book, especially if you’ve liked Kate Morton in the past, or are interested in complex, intricate stories.