Dickerson, Melanie. The Silent Songbird. Nashville: Thomas Nelson, 2016. ISBN-13: 978-0-7180-2631-8. Print List Price: $14.99.
This the first Melanie Dickerson book I’ve read since reading The Beautiful Pretender (2016) upon its release, and the first Hagenheim book I read since first falling in love with the series with the first three books, but then becoming slowly less interested in her Young Adult material. And the overly simplistic writing of the first installment her so-called “Austen-inspired” Regency series further turned me off reading anything but her adult medieval books. But as I did grow up with a fascination with Disney’s Little Mermaid, I decided to give her one last chance.
And while I would still classify the writing style as a little too simple for an adult reader, the style would be appropriate for a teenager with an interest in fairy tales. And while it is a part of a series, it is only connected in part to at most two of the other books, with the hero of this one being the son of the hero of The Merchant’s Daughter, with another relation of his making an appearance in The Princess Spy. (See the explanation of the first five books here). As such, this can definitely stand alone, for anyone who loves The Little Mermaid, or fairy tales in general.
As for the characters, they were what kept me from giving up on the story despite the writing style. Evangeline is a heroine who escapes the confinement of the Castle, trading the possibility of a potentially abusive marriage for the life of a servant, despite some people who believed she would give up. I admire that she found the strength to do this, and chose to learn how to defend herself. Westley is someone who, unlike what we think of as the stereotype for medieval lords, has compassion for all people, and even forgives Evangeline for her deception.
The plot itself, while not incorporating any of the magical aspects of the original tale or the Disney version, has some recognizable bits and overarching themes, with the idea of a young woman escaping from the comforts (which she might sometimes see as confines) of home and going to a new, unfamiliar place. However, like many novel-length retellings, the story is fleshed out, and I enjoyed how she incorporated the conspiracy aspects of the medieval time period into the plot.